Frank Music celebrates its 25th release. Johannes Albert’s music imprint utilizes the summer break to release a nice mini sampler so to say. Plus 1 focuses on collaborative works. For this release, Johannes Albert produced some fine house with artists like Mr. Fonk and D.Y.A. The main track Turbo Basmati once again delivers one of the best track titles to date and also got remixed by his good friend and house stable Iron Curtis. The common theme of the release is fluffy and uplifting house with lots of pianos to match the summer vibes. It’s not just hot outside, it’s also hot music that can be found on release number 25 from the Franconian label. Keep reading
Porter finally released his „Elevate EP“ on Rubisco. Rubisco is the freshly found label run by Nick Beringer. After a neat bunch of releases, Nick finally launched his own imprint. The Berlin based house-head made the next step after releasing on various labels before. After the first output by himself, it is now Porter’s time to shine. Sounds cheesy, sounds good. With his „Elevate EP“, Porter showcases three strong house cuts that feature all the goods a tidy house EP has to offer. Powerful drums, solid pads, exquisite strings and a beautiful atmosphere. Let’s just get into the details.
After Office Recordings 10th release by Iron Curtis and his „Maple EP“ Baaz is back on his own Imprint. Office Recordings 11th release, again, shows a very different side. The Berlin based dj and producer showed his broad musical taste throughout recent releases. Dub techno under his Eric Miller moniker. Sharp house sounds on the latest Idealistmusic. Techno on this very record we are reviewing. The sound ranges from dub techno to ambient and into playful techno. Another side added, another one which is way above average.
Johannes and Johannes team up again. We are speaking about Johannes Paluka, better known as Iron Curtis and Frank Music head honcho Johannes Albert. The Berlin residents joined forces again to craft their first album as Moon. „Industrie & Zärtlichkeit“ is the final product out of this collaboration and it surely depicts the musical influences both have, but somehow it offers much more. „Industrie & Zärtlichkeit“ is not simply filled with Johannes Albert’s rough and cheesy house sound and it’s not only Iron Curtis‘ melodies and exciting chord progression. It’s more of a journey through different decades, times and styles of electronic music developed so far, merged into their very own sound that somewhat pays tribute to everything from the past and also gives us a vision of what could come next. The vinyl LP consists of nine exciting originals and two remixes. Lerosa and Black Spuma took care of the remixes and twisted the original material into their own understanding of electronic music.
Three and a half years after Drei Farben House’s third LP „Choice Item“, he is back with his fourth long-playing record „Fluency Fabrics“. It’s the 20th release for his very own Tenderpark imprint and therefore a very nice anniversary. Seven tracks made it onto the record in the end and all of them are spiced with lots of vocal, funk, disco and soul samples. Drei Farben House again delivered what he is known for already. House and deep house with a certain warmth, on point grooves and samples that are a tribute to the originals they were taken from. Of course the whole album is not coming up with serious changes, but that’s not the vision Micha is following. Once again he plays around with sounds that are quite familiar and he already used, but for this album he enmeshes them differently. He flips the old samples and comes up with something new that is still true to his sound. The same approach can be seen on the artwork. „Choice Item“ and „Fluency Fabrics“ both depict architecture in a natural environment, so the aesthetical idea remained the same. So both albums connect on many levels and still „Fluency Fabrics“ is recognizably the next step, with more details soundwise and an even clearer visual message, created by Till Sperle.
Opal Sunn comes out with their „Part I“ EP on Planet Sundae at the perfect time. The cold and stormy days slowly disappear, instead the sun comes out for a few hours and warms our hearts, bodies and souls with some positive beams. Hiroaki OBA and Al Kassian, created the perfect vinyl for this weather shift with the lovely four tracker which they’ve created between 2015 and 2016. Together they’ve decided to go by the name of Opal Sunn and besides the beauty of the name it also perfectly delivers how the sound feels like: sunny. But not in a cheesy way, it’s very sophisticated and independent in comparison to many other releases at the moment. But not just the artists invested their best in creating the tracks, the guys from Planet Sundae completed the EP with a superb cover. The artwork is quite uncommon for house releases and is a nice mixture of old school paint feelings and modern fluid 3D objects. The RGB color shift in the liquid on the cover is just spectacular and a real eye catcher. Just quality work from all protagonists.
Skipson is back, finally. The wait is over and it was worth it though. After several releases on Deep Vibes, Quintessentials, Maria Colors, Raum…Musik and many other labels, the Berlin based house head is back in the game. With his new „Plastek EP“ he created the content for DreamAwake Records‘ first vinyl release. As usual Skipson is doing some serious things with his very unique house sound that is heavily influenced by hip hop. Chopped samples get mashed up with cozy vibes. Three originals and a remix by Edward made it onto the record in the end. Superb house music with Skip’s signature sound on twelve inch again. Don’t call it a comeback! Keep reading
Tilman and Soutine team up for the fourth release on the small Fine imprint, which is run by Tilman himself and Frank Music’s very own Johannes Albert. While Tilman is pretty familiar to us with his warm, discoish and sample based house sound, we had to do some research about Soutine. Now that we did that, we can say it’s a match sound wise. Soutine, who is based in Florence relies on the same idea behind his music, but he plays around with more uptempo styles as displayed on his „OZ“ EP which came out in February 2016 on his own Oltrarno Recordings. Using the same foundation and generating a neat symbiosis out of the different influences they have, a very enjoyable record came out in the end of that process.
Iron Curtis makes his return to Office Recordings from Berlin with his „Maple EP“ marking the 10th release by Baaz’s imprint. After reminiscing on his „The K.M.S. Years EP“, which was the fourth release by Office Recordings, he now shows his more dubby and minimalistic side. After several releases on labels like Morris Audio, Jackoff Records, Boe Recordings, Hudd Traxx, Retreat, Polytone and his album „Soft Wide Waist Band“ on Mirau, he now highlights some dub influences. While we all followed Iron’s progress from beautiful and warm house with focus on chords and strings over to melodic and emotional club music with a more synthetic and modern approach, he secretly crafted some real beauties from the fields of dub techno and ambient, that are now offered to the public as the tenth release on Office. Keep reading
Verydeeprecords is now around for three years and celebrates their birthday with a nice compilation that goes by the name „3YRSVDR“. 15 tracks made it onto the tape, which comes in an artsy cover and a puristic, white cassette. As usual the Nuremberg label features tracks from themselves and friends. On board are Me Succeeds, Christoff Riedel, Carlesy, Allie, [ ], Bambi Davidson, An Elm, Philipp Roth, Magic Meru, Soft Grid, Red On, Lorin Strohm, Edna X, Stadt aus Draht, Vincent von Flieger and William Black. Some of them share originals, while others remixed tracks. In the end Verydeeprecords offers a nice range of sounds from bass music, songwriter stuff and experimental techno with their „Three years of Verydeeprecords [3YRSVDR]“ package.